Dutch 1597-1660 Pieter Claesz Locations Dutch painter of German birth. He apparently spent his entire career in Haarlem, where he specialized in still-life paintings. Well over 100 works survive, dating from 1621 to 1660. Most of his pictures are dated and monogrammed PC. Since those initials were shared by the Antwerp still-life painter CLARA PEETERS, several attributions are disputed.  Related Paintings of Pieter Claesz :. | Tafel mit Hummer | Still life | Tobacco Pipes and a Brazier | Still Life with Museum instruments | Museums national style life with Romer and silver shell |
Related Artists:
Albert van Ouwater
Albert van Ouwater (c. 1410/1415-1475) was one of the earliest artists of Early Netherlandish painting working in the Northern Netherlands, as opposed to Flanders in the South of the region. [edit] BiographyHe was probably born in Oudewater, and is mentioned by Karel van Mander (1604) as a reputable painter at the time in which he lived.[1] According to Karel van Mander he was possibly a contemporary of Jan van Eyck and had been the teacher of Geertgen tot Sint Jans, though he was quick to qualify this statement with the eye-witness account of an old man named Albert Simonsz who had been a pupil of Jan Mostaert and claimed neither he nor Mostaert had ever even heard of this Albert van Ouwater or Geertgen tot Sint Jans.[1] Van Mander highly commends an altarpiece by Van Ouwater in the principal church in Haarlem, the Grotekerk or Sint-Bavokerk, representing St. Peter and St. Paul, in which the figures are carefully and correctly designed, and richly coloured.[1] Van Mander posits Van Ouwater as the founder of the Haarlem school of painting, making him the first major Dutch (as opposed to Flemish) artist. According to Van Mander, landscape painting was a particular specialty of this Dutch school, although none of Van Ouwater's surviving works exhibit this tendency. Van Ouwater seems to have been a contemporary of Dirk Bouts in mid-15th-century Haarlem, and Geertgen tot Sint Jans may have been his pupil.
Perry, Lilla Calbot
American, 1848-1933
Edward Bailey
(1814-1903) was the most accomplished of the missionary artists in Hawaii. Along with his wife, Bailey arrived in Hawaii as a missionary-teacher in 1837 on the ship Mary Frazier. He worked at the Wailuku Female Seminary in Maui from 1840 until its closure in 1849. After the seminary closed, he built the still standing Ka'ahumanu Church in Wailuku and operated a small sugar plantation that eventually became part of the Wailulu Sugar Company. He began painting about 1865, at the age of 51, without any formal instruction. Bailey's best known paintings are landscapes depicting the natural beauty of central Maui, The Bailey House Museum (Wailuku, Hawaii) and the Lyman House Memorial Museum (Hilo, Hawaii) are among the public collections holding works by Edward Bailey.